Narrating History as a Novelist: The Novel " A Homeland Suspended " by Sabah Mudarig Naro as a Sample

Abstract

Through this research, we aim to enter the worlds of Algerian women's writing to question a fictional text that included in its structure a non-literary discourse represented in the historical discourse, to know the specificity of this employment on the one hand, as well as to stand on some techniques of employing history in the novel, following the descriptive-analytical method as a systematic procedure, starting from questions through which we aim to monitor the historical discourse as it enters the worlds of the novel in an artistic way, the novelist adaptos the proposition of grounding a fictional work in historical background while remaining faithful to the motivations of artistic imagination, one of the key insights is that history, in the presence of the novel's imaginative power, surrenders its strictness and merges into the very fabric of its fictional architecture.